Subcategories

• 

  Sumi Jo

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  SUMI JO

  Soprano[/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="left" alignment_vertical="center" image="617"]"I always wanted to do something new: new music, new theater, new recordings." – Sumi Jo
  

  The cliché of the voice of an angel has rarely been more true than with Sumi Jo. Jo's pure, vivaciously and impeccably conducted soprano voice apparently knows no technical limits and has retained its youthful freshness for decades. Blessed with these qualities, the South Korean soprano is the ideal singer for the coloratura repertoire. Her interpretations of the most demanding coloratura and bel canto roles, which sound almost supernatural, bright as silver and detached from any earthly weight, cause an international sensation. Her portrayals of the Queen of the Night (Mozart: “The Magic Flute”), “Lucia di Lammermoor” (Donizetti) and “Norma” (Bellini) are vocal works of art, embellished with effortless coloratura, wonderful piano effects and breathtakingly precise intonation. In roles like Sophie (“Der Rosenkavalier”), Zerbinetta (“Ariadne auf Naxos”) or the Falcon (“Die Frau ohne Schatten”) Sumi Jo also shone as an exquisite Strauss singer.

  
  [/vc_text_img][vc_text_img text_img_config="image-text-var" text_background="text-background-white" alignment_horizontal="left" alignment_vertical="center" image="650"]Both in concerts and a the recording studio, Sumi Jo moves playfully moves between classical and pop, musical and song. With great passion she participates in crossover projects, in which she demonstrates her great vocal and stylistic versatility. Her crossover album “Only Love” sold over 1,200,000 copies. Sumi Jo is invited to major events around the globe. For example, she gave rise to storms of enthusiasm at the closing ceremony of the Olympic Games in Sochi (2014), sang at the opening ceremony of the Winter Asian Games in the Kazakh capital (2011) and at the opening ceremony of the IAAF World Championship in Daegu (2011). She performed with Jonas Kaufmann, Renée Fleming and Dmitri Hvorostovsky as part of the program of the Olympic Games in Beijing, gave a Christmas concert with José Carreras in Barcelona, toured Asia with the Academy of Ancient Music and performed at the Tribute Concert in honour of Maria Callas at Lincoln Center (New York). She sang at the “Life Ball 2017” in Vienna, at Andrea Bocelli's “Celebrity Fight Night in Italy 2017” as well as on the occasion of the 125^th anniversary of the birth of Maria Callas, at the Teatro de Cristóbal Colón in Colombia and at the 2018 Winter Olympics in Pyeongchang. As a classical singer who devotes herself entirely to her audience, she can be heard in the most important houses and concert halls of Canada, the United States, Asia and Australia. Sumi Jo is also involved in recording award-winning film music, for example for the Italian film “Eternal Youth” by Paolo Sorrentino.[/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=kG4L0wHDMp8"]

  Berin Iglesias Art –
  Exclusive Management of Sumi Jo in Russia & CIS- countries
  Contact:
  Zlata Shvets 

  Cell *WhatsApp: +33 7 49978441
  
  Fax:    +49 234 79806230

  z.shvets@berin-iglesias.art

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• 

  Kristine Opolais

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  Kristine Opolais

  Soprano

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  Dramatic amber-coloured voice

  "I have Puccini in my blood, but Dvořák is in my soul." - Kristine Opolais

  Latvia is known for its rich resources of amber that are brought to the country's coasts by the surf, especially during autumn and winter storms. The comparison is therefore quite obvious: The voice of Latvian soprano Kristine Opolais reminds of the “gold of the Baltic Sea”. In addition to a honey-coloured, healthy foundation and a vibrant high register, her voice is embellished by richness of sound, velvety splendour and character. These qualities of her dramatic spinto soprano predestine Opolais for the roles of Puccini-heroines. And Opolais loves Puccini-roles such as Magda (La rondine), Mimì, (La Bohème), Tosca, Cio-Cio-San (Madama Butterfly) or Manon (Manon Lescaut). Besides the title role in Verdi's Aida, she also shines in operas by Mozart such as Don Giovanni (Donna Elvira), in Tchaikovsky's “Eugene Onegin” (Tatjana) or in the title role of Janáček's “Jenůfa”. In addition, Opolais feels a very special connection with the role of water nymph Rusalka in Dvořáks lyrical fairytale of the same name.

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  Opolais is known for her great acting talent that she applies to even the most demanding directorial concepts. Kristine Opolais was born into a musical family in the Latvian city of Rēzekne. Her mother sang, her father played the trumpet both in jazz and classical style. She began her musical education at the age of seven and attended a specialized high school for musical education. At the Latvian Academy of Music Jāzeps Vitols in Riga she studied singing with Regina Frinberga, with Margarita Gruzdeva and Lilija Greidāne. In Amsterdam she continued her studies with Margreet Honig.

  In 2003 Opolais became a member of the Latvian National Opera in Riga. In 2006 she had her debut at the Berlin “Staatsoper im Schillertheater”.  Two years later she sang for the first time at “La Scala” in Milan and at the Vienna “Staatsoper”. In 2010 she made her debut at Covent Garden as Magda in "La Rondine". She proved her great discipline when, after making her debut as Cio-Cio-San in Puccini's Madama Butterfly at the New York Met in 2014, she stood in for Anita Hartig the following evening as Mimì, although she received the phone call asking her to save the premiere only a few hours before the curtain went up. In the same year Kristine Opolais sang Manon Lescaut at the Royal Opera in London and in place of Anna Netrebko at the Bavarian State Opera. Kristine Opolais is also a much sought-after concert singer. She has appeared as such at the Tonhalle Zürich, the Burgtheater, the Nobel Prize Concert in Stockholm and at the Salzburg Festival.

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  MANAGEMENT FOR:
  Russia, CIS countries and Baltic states

  Contact:

  Zlata Shvets 

  Cell *WhatsApp: +33 7 49978441
  
  Fax:    +49 234 79806230

  z.shvets@berin-iglesias.art

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• 

  Jose Carreras

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• 

  Jonas Kaufmann

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• 

  Placido Domingo

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  Concerts

  We don't make concerts, we make dreams become true

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  PLANNING

  We plan your events, whether small or large, and where. We take care of everything, if you wish.

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  SUPPORTING

  We will help you with any problems or questions and seek the best solution for you.

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  ORGANISATION

  Whether limousine, catering or decoration. We organize everything from A-Z to you.

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  ALL IN ONE

  With us you are in safe hands. Because we offer them everything from a single source.

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  BA Management

  Plan your own event

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• 

  Juan Diego Flores

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  Concerts

  We don't make concerts, we make dreams become true

  [/vc_background_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" parallax_image="5" css=".vc_custom_1475184747410{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}"][vc_column width="1/1"][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="10" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" content_placement="middle" css=".vc_custom_1474329780999{padding: 50px !important;background-color: #212930 !important;}"][vc_column width="1/4"][vc_column_text el_class="p3v"]

  PLANNING

  We plan your events, whether small or large, and where. We take care of everything, if you wish.

  [/vc_column_text][/vc_column][vc_column width="1/4"][vc_column_text el_class="p3v"]

  SUPPORTING

  We will help you with any problems or questions and seek the best solution for you.

  [/vc_column_text][/vc_column][vc_column width="1/4"][vc_column_text el_class="p3v"]

  ORGANISATION

  Whether limousine, catering or decoration. We organize everything from A-Z to you.

  [/vc_column_text][/vc_column][vc_column width="1/4"][vc_column_text el_class="p3v"]

  ALL IN ONE

  With us you are in safe hands. Because we offer them everything from a single source.

  [/vc_column_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="30" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" parallax_image="5" content_placement="middle" el_class="calltoaction mfix"][vc_column width="1/1" el_class="p10v"][vc_column_text]

  BA Management

  Plan your own event

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• 

  Grigory Shkarupa

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  GRIGORY SHKARUPA

  Bass[/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="center" alignment_vertical="center" image="730"]

  Grigory Shkarupa, a surprising voice!
  - Luciano Murgia, Rossini Festival 2020

  Grigory Shkarupa started winning prizes at a very young age with his deep, warm and precisely sung bass. In 2011 he was a prizewinner at the 1st Elena Obraztsova International Competition of Young Singers in St. Petersburg. Later followed the Shalyapin International Competition in Yalta, the ‘Three Centuries of the Classical Romance’ International Competition in St. Petersburg, as well as the All-Russian Sviridov Vocal Competition in Kursk.

  At the age of 19, Shkarupa debuted at the Mariinsky Theatre in St. Petersburg. He sang the roles of the Prisoner in Verdi’s Nabucco, Patsyuk in Christmas Eve, Mityukha in Mussorgsky’s Boris Godunov, Zuniga in Carmen, The Monk in Verdi’s Don Carlo, Soldier in Berlioz’s Les Troyens, and many others. He has performed with such distinguished conductors as Valery Gergiev, Yuri Temirkanov, Gianandrea Noseda, Mikhail Tatarnikov, Justus Frantz, and Mikhail Agrest. He has also toured Spain, Israel, Germany and Lithuania with the ensemble of the Mariinsky Theatre.

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  In October of 2010, Shkarupa became a member of the Young Artists Program at the Bolshoi Theatre where he regularly performed on the stage of the Bolshoi.
  In 2013, Shkarupa became a member of the International Opernstudio at the Staatsoper Berlin. He has performed there as Samuel in Verdi’s Un ballo in maschera, Marchese D’obigny in Verdi’s La traviata, Joe Alaskawolfjoe in Kurt Weill’s Mahagonny, Ein Athlet in Berg’s Lulu and the Fifth Jew in Strauss’ Salome. He sang the role of Don Alfonso in Mozart’s Cosi fan tutte at the Bregenz Festival.

  Grigory Shkarupa is a member of the Staatsoper Berlin since September of 2015, where he has performed the roles of Sarastro In Zauberflöte, Ferrando In Trovatore, Sparafucile in Rigoletto, Basilio in Barbiere di Siviglia, Masetto in Mozart’s Don Giovanni, Trufaldino in Strauss’s Ariadne auf Naxos, Biterolf in Tannhäuser. Grigorii Shkarupa performs as a guest in Grand Theatre de Genève has also performed with such conductors as Daniel Barenboim, Zubin Mehta,Vladimir Jurowski, P.Arrivabeni,  T.Sokhiev, M.Zanetti and others.

  Born in St. Petersburg in 1989, after graduating from the Glinka Choral College in 2007, he went on to study at the St. Petersburg State Conservatory as both a singer and a choral conductor. At the opera studio of the conservatory, Shkarupa already performed the roles of Gurnemanz in Wagner’s Parsifal (excerpts of the opera), Zuniga in Bizet’s Carmen conducted by Mariss Jansons, Panas in Rimsky-Korsakov’s Christmas Eve, and others.

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  MANAGEMENT:
  
  Elena Poliakova
  
  +79995454481
  e.poliakova@burj-bigart.com

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