Subcategories

• 

  Sumi Jo

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  SUMI JO

  Soprano[/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="left" alignment_vertical="center" image="617"]"I always wanted to do something new: new music, new theater, new recordings." – Sumi Jo
  

  The cliché of the voice of an angel has rarely been more true than with Sumi Jo. Jo's pure, vivaciously and impeccably conducted soprano voice apparently knows no technical limits and has retained its youthful freshness for decades. Blessed with these qualities, the South Korean soprano is the ideal singer for the coloratura repertoire. Her interpretations of the most demanding coloratura and bel canto roles, which sound almost supernatural, bright as silver and detached from any earthly weight, cause an international sensation. Her portrayals of the Queen of the Night (Mozart: “The Magic Flute”), “Lucia di Lammermoor” (Donizetti) and “Norma” (Bellini) are vocal works of art, embellished with effortless coloratura, wonderful piano effects and breathtakingly precise intonation. In roles like Sophie (“Der Rosenkavalier”), Zerbinetta (“Ariadne auf Naxos”) or the Falcon (“Die Frau ohne Schatten”) Sumi Jo also shone as an exquisite Strauss singer.

  
  [/vc_text_img][vc_text_img text_img_config="image-text-var" text_background="text-background-white" alignment_horizontal="left" alignment_vertical="center" image="650"]Both in concerts and a the recording studio, Sumi Jo moves playfully moves between classical and pop, musical and song. With great passion she participates in crossover projects, in which she demonstrates her great vocal and stylistic versatility. Her crossover album “Only Love” sold over 1,200,000 copies. Sumi Jo is invited to major events around the globe. For example, she gave rise to storms of enthusiasm at the closing ceremony of the Olympic Games in Sochi (2014), sang at the opening ceremony of the Winter Asian Games in the Kazakh capital (2011) and at the opening ceremony of the IAAF World Championship in Daegu (2011). She performed with Jonas Kaufmann, Renée Fleming and Dmitri Hvorostovsky as part of the program of the Olympic Games in Beijing, gave a Christmas concert with José Carreras in Barcelona, toured Asia with the Academy of Ancient Music and performed at the Tribute Concert in honour of Maria Callas at Lincoln Center (New York). She sang at the “Life Ball 2017” in Vienna, at Andrea Bocelli's “Celebrity Fight Night in Italy 2017” as well as on the occasion of the 125^th anniversary of the birth of Maria Callas, at the Teatro de Cristóbal Colón in Colombia and at the 2018 Winter Olympics in Pyeongchang. As a classical singer who devotes herself entirely to her audience, she can be heard in the most important houses and concert halls of Canada, the United States, Asia and Australia. Sumi Jo is also involved in recording award-winning film music, for example for the Italian film “Eternal Youth” by Paolo Sorrentino.[/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=kG4L0wHDMp8"]

  Berin Iglesias Art –
  Exclusive Management of Sumi Jo in Russia & CIS- countries
  Contact:
  Zlata Shvets 

  Cell *WhatsApp: +33 7 49978441
  
  Fax:    +49 234 79806230

  z.shvets@berin-iglesias.art

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• 

  Kristine Opolais

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  Kristine Opolais

  Soprano

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  Dramatic amber-coloured voice

  "I have Puccini in my blood, but Dvořák is in my soul." - Kristine Opolais

  Latvia is known for its rich resources of amber that are brought to the country's coasts by the surf, especially during autumn and winter storms. The comparison is therefore quite obvious: The voice of Latvian soprano Kristine Opolais reminds of the “gold of the Baltic Sea”. In addition to a honey-coloured, healthy foundation and a vibrant high register, her voice is embellished by richness of sound, velvety splendour and character. These qualities of her dramatic spinto soprano predestine Opolais for the roles of Puccini-heroines. And Opolais loves Puccini-roles such as Magda (La rondine), Mimì, (La Bohème), Tosca, Cio-Cio-San (Madama Butterfly) or Manon (Manon Lescaut). Besides the title role in Verdi's Aida, she also shines in operas by Mozart such as Don Giovanni (Donna Elvira), in Tchaikovsky's “Eugene Onegin” (Tatjana) or in the title role of Janáček's “Jenůfa”. In addition, Opolais feels a very special connection with the role of water nymph Rusalka in Dvořáks lyrical fairytale of the same name.

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  Opolais is known for her great acting talent that she applies to even the most demanding directorial concepts. Kristine Opolais was born into a musical family in the Latvian city of Rēzekne. Her mother sang, her father played the trumpet both in jazz and classical style. She began her musical education at the age of seven and attended a specialized high school for musical education. At the Latvian Academy of Music Jāzeps Vitols in Riga she studied singing with Regina Frinberga, with Margarita Gruzdeva and Lilija Greidāne. In Amsterdam she continued her studies with Margreet Honig.

  In 2003 Opolais became a member of the Latvian National Opera in Riga. In 2006 she had her debut at the Berlin “Staatsoper im Schillertheater”.  Two years later she sang for the first time at “La Scala” in Milan and at the Vienna “Staatsoper”. In 2010 she made her debut at Covent Garden as Magda in "La Rondine". She proved her great discipline when, after making her debut as Cio-Cio-San in Puccini's Madama Butterfly at the New York Met in 2014, she stood in for Anita Hartig the following evening as Mimì, although she received the phone call asking her to save the premiere only a few hours before the curtain went up. In the same year Kristine Opolais sang Manon Lescaut at the Royal Opera in London and in place of Anna Netrebko at the Bavarian State Opera. Kristine Opolais is also a much sought-after concert singer. She has appeared as such at the Tonhalle Zürich, the Burgtheater, the Nobel Prize Concert in Stockholm and at the Salzburg Festival.

  [/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=FS_aB9u1jVk"]

  MANAGEMENT FOR:
  Russia, CIS countries and Baltic states

  Contact:

  Zlata Shvets 

  Cell *WhatsApp: +33 7 49978441
  
  Fax:    +49 234 79806230

  z.shvets@berin-iglesias.art

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• 

  Elchin Azizov

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  Elchin Azizov
  

  Baritone

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  Equality of music and expression

  „The most important question ist not about quality. It is about knowing what exactly you should sing.“ - Elchin Azizov
  

  Prima la musica, dopo le parole – first the music, then the words? Whether music or words take priority in opera, has been discussed for ages. In the ideal case, both come together, as opera is sung theatre and the word is the motor driving the drama and action. Very few opera singers have mastered the art of doing equal justice to the musical line and expressive content of the word. One who is able to do so is Elchin Azizov. And yet, the Azerbaijani baritone is a late bloomer, as the acclaimed star of the Bolshoi Theatre and the New York Met did not begin his career as a singer. In addition to his work as a producer, director and actor, he was formerly known on Russian television as a comedian and master of puns, when his phenomenal voice was discovered by the legendary singer Galina Wischnewskaja. At her invitation, the then 30-year-old made the decision to go to Moscow to be trained as a singer at breathtaking speed by the Georgian tenor Badri Maisuradze. Shortly after that he was engaged as a permanent member of the Bolshoi Theatre.

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  In every role Azizov he embodies, his origins in the performing arts are clearly perceptible. Azizov does not only have an impressively rich baritone voice. His flawless diction in several languages allows him to shape every note, every change of nuancing of the texts he sings with an astoundingly idiomatic naturalness. His leading roles include Prince Igor (Prince Igor, Rimsky-Korsakov), Grigoriy Gryaznoy (Tsar's Bride, Rimsky-Korsakov), Count Tomsky (Queen of Spades, Tchaikovsky), Ibn-Hakia (Iolanta, Tchaikovsky), Lescaut (Manon Lescaut, Puccini), Rodrigo (Don Carlo, Verdi), Giorgio Germont (La traviata, Verdi) and Escamillo (Carmen, Bizet). Outside Russia, Elchin Asisov has sung at many renowned opera houses, including the Metropolitan Opera, the Royal Opera House in London, the Opéra de Lyon, the Teatro dell'Opera di Roma and the Theater an der Wien.

  [/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=XD_-YFX3G94"]PROJECT MANAGEMENT
  
  Contact:
  Rafael Schwarzstein
  
  Phone: +49 234 49703986 
  Cell *WhatsApp: +49 152 02197452
  Fax:    +49 234 79806230
  
  r.schwarzstein@burj-bigart.com[/vc_text_video][/vc_column][/vc_row][vc_row gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k"][vc_column width="1/1"][vc_gallery images="575,574,573,572,571,568,510"][/vc_column][/vc_row]
• 

  Vasily Ladyuk

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  Vasily Ladyuk
  

  Baritone

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  „Onegin is one of my favourite roles. I will never forget my debut at the Novaya-Opera – naturally as Onegin.“ - Vasily Ladyuk

  Vasily Ladyuk has a bright, velvety baritone voice which is rare. Critics emphasize the lush timbre, his great elegance and solid technique. This allows him to place effectively sustained notes, and the rhetorical and dramatic shaping of his roles, whose inner workings he illuminates with sensitivity and nuance. With these qualities Vasily Ladyuk has made a name for himself especially  as an interpreter of great roles of the Russian repertoire such as Andrei Shchelkalov (Boris Godunov), Robert (Iolanta) or Prince Yeletski (Queen of Spades).

  One of his most important role portraits is "Eugene Onegin" in Tchaikovsky's opera of the same name, with which he also made his debut at the New Opera (Novaya Opera) in Moscow in 2004. Soon he also sang as a permanent guest soloist at the Moscow Bolshoi Theatre as well as the St. Petersburg Mariinsky Theatre.

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  In addition to Russian opera, Ladyuk also sings roles by Mozart, Strauss, Rossini, Donizetti, Verdi, Puccini and Leoncavallo, and in the year of his Bolshoi debut he also sang at the Metropolitan Opera in New York. Since then he has performed in many leading houses worldwide - including La Scala in Milan, the Houston Grand Opera, the Opéra National in Paris and the Théâtre Royal de la Monnaie in Brussels. In addition to appearances in productions by renowned directors such as Dmitri Tcherniakov. Ladyuk regularly appears in concert formats in which he likes to push the boundaries of the classical repertoire.

  Vasily Ladyuk first completed a degree in choral conducting at the renowned Moscow Academy of Choral Art. From 2001 he studied solo singing with Dmitry Vdovin and won the "Concurs Tenor Viñas" in Barcelona in 2004, the competition Operalia by Plácido Domingo one year later and the opera competition in Shizuoka, Japan.

  [/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=3WPopdVvbNY"]

  GENERAL MANAGEMENT

  
  Contact:
  Rafael Schwarzstein
  

  Phone: +49 234 49703986 
  Cell *WhatsApp: +49 152 02197452
  Fax:    +49 234 79806230

  r.schwarzstein@burj-bigart.com

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• 

  Ildar Abdrazakov

  [vc_row full_width="stretch_row_content_no_spaces" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k"][vc_column width="1/1"][vc_background_text alignment_horizontal="left" alignment_vertical="top" box_size="header_block" css=".vc_custom_1550142325472{background-color: #b71007 !important;}"]

  Ildar Abdrazakov

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  We are proud to announce that Berin Iglesias Art has signed an agreement on exclusive representation of one of the opera’s most thought-after basses Ildar Abdrazakov in Russia, CIS countriesand the Baltics.

  Since making his La Scala debut in 2001 at 25, the Russian singer has become a mainstay at leading houses worldwide, including New York’s Metropolitan Opera, the Vienna State Opera, Munich’s Bavarian State Opera, Mariinsky theatre and others. His powerful yet refined voice coupled with his compelling stage presence have prompted critics to hail him as a “sensational bass… who has just about everything – imposing sound, beautiful legato, oodles of finesse” (The Independent). Also an active concert artist, he has performed at London’s BBC Proms and at New York’s Carnegie Hall, as well as leading international orchestras, including the Chicago Symphony and Vienna Philharmonic.

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  Abdrazakov is a twice Grammy award winner whose repertoire includes the roles of Don Juan and Leporello (in Mozart’s “Don Juan”), Mephistopheles (in Guno’s “Faust”, Boito’s “Mephistopheles” and Berlioz’s “The Damnation of Faust”), king Philippe II (in Vedi’s “Don Carlos”), Attila (in Verdi’s “Attila”), Boris Godunov (in Musorgski’s “Boris Godunov”).

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• 

  Jose Carreras

  [vc_row full_width="stretch_row_content_no_spaces" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k"][vc_column width="1/1"][vc_background_text image="110" alignment_horizontal="left" alignment_vertical="top" box_size="header_block"]

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• 

  Jonas Kaufmann

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• 

  Placido Domingo

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  Concerts

  We don't make concerts, we make dreams become true

  [/vc_background_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" parallax_image="5" css=".vc_custom_1475184747410{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}"][vc_column width="1/1"][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="10" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" content_placement="middle" css=".vc_custom_1474329780999{padding: 50px !important;background-color: #212930 !important;}"][vc_column width="1/4"][vc_column_text el_class="p3v"]

  PLANNING

  We plan your events, whether small or large, and where. We take care of everything, if you wish.

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  SUPPORTING

  We will help you with any problems or questions and seek the best solution for you.

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  ORGANISATION

  Whether limousine, catering or decoration. We organize everything from A-Z to you.

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  ALL IN ONE

  With us you are in safe hands. Because we offer them everything from a single source.

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  BA Management

  Plan your own event

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• 

  Juan Diego Flores

  [vc_row full_width="stretch_row_content_no_spaces" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k"][vc_column width="1/1"][vc_background_text image="71" alignment_horizontal="center" alignment_vertical="center" box_size="header_block"]

  Concerts

  We don't make concerts, we make dreams become true

  [/vc_background_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" parallax_image="5" css=".vc_custom_1475184747410{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}"][vc_column width="1/1"][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="10" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" content_placement="middle" css=".vc_custom_1474329780999{padding: 50px !important;background-color: #212930 !important;}"][vc_column width="1/4"][vc_column_text el_class="p3v"]

  PLANNING

  We plan your events, whether small or large, and where. We take care of everything, if you wish.

  [/vc_column_text][/vc_column][vc_column width="1/4"][vc_column_text el_class="p3v"]

  SUPPORTING

  We will help you with any problems or questions and seek the best solution for you.

  [/vc_column_text][/vc_column][vc_column width="1/4"][vc_column_text el_class="p3v"]

  ORGANISATION

  Whether limousine, catering or decoration. We organize everything from A-Z to you.

  [/vc_column_text][/vc_column][vc_column width="1/4"][vc_column_text el_class="p3v"]

  ALL IN ONE

  With us you are in safe hands. Because we offer them everything from a single source.

  [/vc_column_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="30" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" parallax_image="5" content_placement="middle" el_class="calltoaction mfix"][vc_column width="1/1" el_class="p10v"][vc_column_text]

  BA Management

  Plan your own event

  [/vc_column_text][/vc_column][/vc_row][vc_row full_width="stretch_row_content" gap="0" columns_placement="middle" video_bg_url="https://www.youtube.com/watch?v=lMJXxhRFO1k" el_class="info_footer"][/vc_row][vc_column width="1/3"][/vc_column][vc_column_text]
• 

  Ekaterina Gubanova

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  EKATERINA GUBANOVA

  Mezzosopranо[/vc_background_text][vc_text_img text_img_config="text-image-var" text_background="text-background-white" alignment_horizontal="center" alignment_vertical="center" image="626"]

  Specialised on great roles and drama queens

  "If you don't know what to do with your technique, you might loose what God has given you." - Yekaterina Guanova

  Specialised on exquisite vocal interpretations, drama queens and major roles for mezzo-soprano, Yekaterina Gubanova is internationally acclaimed for her interpretations. Gubanova seems to have very few linguistic and stylistic limitations: she can turn the bel canto part of Adalgisa from Bellini's "Norma" into a vocal work of art, sing Verdi's Principessa Eboli (Don Carlo), Amneris (Aida) and Azucena (Il trovatore) and give a splendid rendition of Nicklausse/Muse from Offenbach's "The Tales of Hoffmann". Her interpretation of Brangäne in Wagner's "Tristan und Isolde" 2005 at the Opéra National de Paris caused an international sensation. After this success, she sang the role in Baden-Baden, Rotterdam, Tokyo, St. Petersburg and Munich under conductors such as Daniel Barenboim, Valery Gergiev, Esa-Pekka Salonen and Zubin Mehta. She sang a seductive Venus in "Tannhäuser" as well as Fricka in "Das Rheingold" and "Die Walküre" under Barenboim in Berlin and Milan, demonstrating her excellent diction in both roles.

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  Singing Judith in Bartók's "Bluebeard's Castle" (Paris), Gubanova proved how familiar she is with the repertoire of the 20^th century. No need to mention that Gubanova's repertoire also includes great roles of Russian opera such as Lyubasha in Rimsky-Korsakov's "The Tsar's Bride" or Olga in Tchaikovsky's "Eugene Onegin". Gubanova is a regular guest at opera houses like the Mariinsky Theatre in St. Petersburg, the Bavarian State Opera, the Scala in Milan, the Metropolitan Opera in New York, the Royal Opera House Covent Garden in London, the Berlin State Opera, the Chicago Lyric Opera, the Vienna State Opera as well as opera houses in Paris, Barcelona and Amsterdam. She is also regularly invited to the Salzburg, Baden-Baden and Edinburgh Festivals.
  
  Curiously enough, Gubanova did not seem to be born to a singing career. Gubanova started her musical education playing the piano and was awarded an honorary degree in choral conducting. At the age of 17, when her voice settled, she was discovered while singing in a choir. She subsequently studied singing at the Tchaikovsky Conservatory in Moscow and at the Sibelius Academy in Helsinki, later entering the "Young Artists Programme" at the Royal Opera House (London). Gubanova plans her career wisely. In interviews she always refers to the basics of Italian opera singing.

  [/vc_text_img][vc_text_video text_video_config="text-video-var" text_background="text-background-white" link="https://www.youtube.com/watch?v=56LaFTjaiWQ"]
  MANAGEMENT FOR:
  Russia, CIS countries, Baltic states

  Contact:
  Rafael Schwarzstein
  
  Phone: +49 234 49703986 
  Cell:     +49 152 02197452
  Fax:    +49 234 79806230

  r.schwarzstein@burj-bigart.com

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• 

  Grigory Shkarupa

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  GRIGORY SHKARUPA

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  Grigory Shkarupa, a surprising voice!
  - Luciano Murgia, Rossini Festival 2020

  Grigory Shkarupa started winning prizes at a very young age with his deep, warm and precisely sung bass. In 2011 he was a prizewinner at the 1st Elena Obraztsova International Competition of Young Singers in St. Petersburg. Later followed the Shalyapin International Competition in Yalta, the ‘Three Centuries of the Classical Romance’ International Competition in St. Petersburg, as well as the All-Russian Sviridov Vocal Competition in Kursk.

  At the age of 19, Shkarupa debuted at the Mariinsky Theatre in St. Petersburg. He sang the roles of the Prisoner in Verdi’s Nabucco, Patsyuk in Christmas Eve, Mityukha in Mussorgsky’s Boris Godunov, Zuniga in Carmen, The Monk in Verdi’s Don Carlo, Soldier in Berlioz’s Les Troyens, and many others. He has performed with such distinguished conductors as Valery Gergiev, Yuri Temirkanov, Gianandrea Noseda, Mikhail Tatarnikov, Justus Frantz, and Mikhail Agrest. He has also toured Spain, Israel, Germany and Lithuania with the ensemble of the Mariinsky Theatre.

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  In October of 2010, Shkarupa became a member of the Young Artists Program at the Bolshoi Theatre where he regularly performed on the stage of the Bolshoi.
  In 2013, Shkarupa became a member of the International Opernstudio at the Staatsoper Berlin. He has performed there as Samuel in Verdi’s Un ballo in maschera, Marchese D’obigny in Verdi’s La traviata, Joe Alaskawolfjoe in Kurt Weill’s Mahagonny, Ein Athlet in Berg’s Lulu and the Fifth Jew in Strauss’ Salome. He sang the role of Don Alfonso in Mozart’s Cosi fan tutte at the Bregenz Festival.

  Grigory Shkarupa is a member of the Staatsoper Berlin since September of 2015, where he has performed the roles of Sarastro In Zauberflöte, Ferrando In Trovatore, Sparafucile in Rigoletto, Basilio in Barbiere di Siviglia, Masetto in Mozart’s Don Giovanni, Trufaldino in Strauss’s Ariadne auf Naxos, Biterolf in Tannhäuser. Grigorii Shkarupa performs as a guest in Grand Theatre de Genève has also performed with such conductors as Daniel Barenboim, Zubin Mehta,Vladimir Jurowski, P.Arrivabeni,  T.Sokhiev, M.Zanetti and others.

  Born in St. Petersburg in 1989, after graduating from the Glinka Choral College in 2007, he went on to study at the St. Petersburg State Conservatory as both a singer and a choral conductor. At the opera studio of the conservatory, Shkarupa already performed the roles of Gurnemanz in Wagner’s Parsifal (excerpts of the opera), Zuniga in Bizet’s Carmen conducted by Mariss Jansons, Panas in Rimsky-Korsakov’s Christmas Eve, and others.

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  MANAGEMENT:
  
  Elena Poliakova
  
  +79995454481
  e.poliakova@burj-bigart.com

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